Broad Contemporary Art Museum
5905 Wilshire Blvd
Los Angeles, CA 90036 (323) 857-6000
- Good for Kids: Yes
26 Reviews for Broad Contemporary Art Museum
Great building, great collection. For me the 6 Twombly paintings were best.
I also liked seeing some of Chris Burden and many others great pieces.
My favorite thing about it is how current the collection is much of the work was from the last year or two, one of the Twombly paintings is not yet a year old.
The Serra's are great. Even the artist I am not so into are made more interesting by having several works from several periods.
It gets 5 stars and SFMOMA will lose a few.
My liking of contemporary art fluctuates inversely with how disturbing it is. Luckily, I think the Broad LACMA addition satisfies both those who know a thing or two about contemporary art and those who like shiny, inoffensive things.
Set in a three story construction, the museum features giant metal sheets twisted into walkable spaces by Richard Serra on the first floor, a very memorable oversized dining table and Erector set bridge on the second floor, and very famous names from contemporary art on the third floor including a ton of Jeff Koons (the enormous metallic balloon animal and porcelain Michael Jackson guy). You make it to the top via boring elevator or stairs or by taking your chances on the hard-to-miss red platform elevator at the front.
Some downsides: If you walk in here and can't help feeling deja vu, it's not your fault. A lot of this stuff was featured at various MOCA exhibits in LA. Take, for example, the Basquiat collection on the third floor which was featured at the MOCA Grand Avenue. Also, I feel like they could have put more things outside besides the Jeff Koons Tulips and the nearly lifesize toy firetruck.
Anyway, I didn't see many severed phalli or bleeding uteruses here, so go and bring your kids if you feel like it.
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Perfect date place. Take an artsy boy and he'll leave with pants full of bone.
As for me, please. I love art. Especially mental angst and pain (no emo) translated to grotesque pieces. decapitated cows. broken neck babies. religious references. I'm all for it. Definitely soaked.
BCAM has three levels. Jeff Koons, Warhols (!), you name it. It's there. Ride the big red elevator! Yes it's just an elevator but still.... it's like going to Disneyland and not meeting Mickey or going to a massage parlor and not asking for a happy ending. It's just not right.
If you're into pain and ironic statements (no hipster), then you'll love the Damien Hirst stuff.
My favorite is a piece that's an assemblage of tall medicine cabinets shut with a hanging crucifix on each. Inside is a shit load of prescription meds, shards of broken mirrors, and skulls. It's pretty disturbing. I'd like to think of it as a fuck you to religion, a take on our society's dependency on meds, and suppressed rage. I was pretty touched by it. Not that I'm into suicide and/or adderall. I have ADD. I swear.
and yes. no pictures. they are pretty strict. and yes i tried.
Security: What are you doing?
Me: Uhhh. Checking my email.
S: ......... in front of the painting?
Me: Yes. I get better reception holding it up right like this and in that direction.
S:...........i would hate to tell you to leave.
Me: ...........sorry.
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This week my Getty co-workers and I decided to be supergeeks and use a day off from working at a museum together to visit a museum together. I guess we wouldn't be working in one if we disliked 'em, eh?
Well, I am so damn happy I am a geek right now folks, this place blew me away and I couldn't be happier with how I spent that day off. The wide expanse of the building means each piece has room to stand on its own and be taken in without the distraction of other amazing artwork right by it to pull you away too quickly. The airy loft-like space and the sand colored hardwood flooring are the perfect match for the boldness of the art itself, and allow it to shine rather than compete with the interior architecture.
As for the art itself, well I am in love. Every single Damien Hirst on display was more amazing than the last and should be shown to anyone who claims art today isn't really art. His is both an ode to the past and an intellectually stimulating turn of that past on its head. Jeff Koons, Cindy Sherman and John Baldessari, in particular had a stunning display of their work and that is just the tip of the iceberg here.
The new underground parking structure was very convenient and I loved that as soon as we arrived to the plaza were greeted by the most gorgeous Eames wire chairs and little tables to relax at before or after a visit.
I was hoping the catalogs for the BCAM inaugural would be a little more compelling, as I wanted to take home a record of my visit, but if there's got to be a failing with anything here, I'd prefer it be that.
I take it back, we aren't geeks (at least not because of a visit here). This LACMA extension is wonderful and the art it holds smart, funny, and magnetic. Anyone not attracted to it would make me scratch my head with sadness.
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Loved the Basquiat, Jeff Koons and Cindy Sherman exhibits. The ceiling (as mentioned below) is particularly interesting because it lets so much natural light in. I thought it was a nice mix of art, which never leave you bored, once you get past the first floor's exhibit. I think the entire first floor is simply a waste of space. There is so much more you could do with that space and it feels wasted when there is soooo much good art out there!
All in All, definitely worth a trip :)
To comment on the Art at BCAM would be a review of the art at BCAM not of the museum itself.
The building at BCAM is amazing. Very nice, I think the best part of the museum was in fact the ways of getting from floor to floor.
The outdoor floating stair-case is really nice, and the elevator inside is also something to behold.
It is an art piece in and of itself.
As for the art. Its contemporary, and there are lots of influential pieces by influential artists.
Its a good museum worth checking out, and a nice addition to the LACMA family.
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Club scene not cutting it anymore? Yeah, thought that was the case. Don't worry, there plenty of other, more sophisticated, places to get your kicks. So trade in your mini-skirts and sequined halter tops and join the abundance of youthful and smartly dressed Angelino beauties and beaus at BCAM.
No, each floor isn't dedicated to a different genre of music, but I can promise each floor has its own mood altering effect. The top floor is sure to bring out the goofy kid in you, and may make you feel like dancin'. Jeff Koon really did it for me. I love his kitsch imagery, which I can only describe as painted comic book fusions, and titanium balloon animal fun. Other famous pop artists who are sure to capture you attention are Andy Whorhol, Ed Ruscha and Roy Lichtension.
I highly recommend the second floor to anyone who enjoys Goth and industrial rock clubs. Here you'll find Damien Hirst, who is known for working in the medium of dead animals and insects. I was particularly awed by the stained glass window piece using hundreds of beautiful butterfly wings--until I realized that they were real butterfly wings, and then I was just depressed. And Don't get me started on the formaldehyde sheep. Film noir/horror flickish photographer, Cindy Sherman, is also displayed on this floor.
Your last stop is the bottom floor which is dedicated to clubbers who club to drink and drink to club. It's here that Richard Serra's gigantic steal walk-though sculptures throw off your sense of balance and spatial reality. After walking through the first one, my friend and I had to sit down and recompose ourselves before walking any furtherer. The second time around I brought a date, who at first took my hand to be sweet, but wound up holding it a little tighter to steady himself later.
So much fun! So much to see! So much cooler than hanging around the same old Hollywood bar flies. BCAM is totally the new Sunset Blvd.
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I'm sorry, I'm ashamed to admit it, but I'm not a big fan of contemporary art. I simply don't get how a picture of spam is considered art, I just don't. Mind you, I went to an arts high school and have artsy fartsy friends so I'm not totally clueless, but I am just not a fan. The building is really nice, the elevator is cool but how the hell did they get that maze in there on the 1st floor?!
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Three words: BIG RED ELEVATOR!
Ride it, and be glad you did.
What a perfect way to spend a lazy day in LA with the fam! BCAM has been added to my ever-growing list of reasons why I loooove LA.
Sure, contemporary art can be whacky, whimsical and sometimes plain silly, but it always makes me smile (and sometimes laugh).
My toddler son is already quite the cultured and sophisticated museum-goer. I was terrified that he would be bored, run amuck, and we would have to come up with a million dollars to pay for a piece of artwork that he smeared his grubby little paws all over..........but instead I ended up thoroughly impressed with his curiosity, attention and model-behavior as we strolled through the museum for hours. The exhibits kept his interest the entire time and til this day, he still asks about the "big blue dog".
I agree with Margot H - the Koons' pieces are amongst my and my toddler's favorites. My husband favored the Lichtensteins. Richard Serra's sculptures are always fun for kids and adults alike, although we saw a much larger version in Bilbao. I always love seeing Warhols in real time - let's face it, the man was a genius for his contribution to pop culture and I love all-things-pop.
Well, I don't want to give it all away, but visiting is a must. You can book your tix online 24-hrs. in advance. Park in the lot across the street - for only $7 with validation, you can roam BCAM/LACMA for as long as your heart (or toddler) desires.
Consider LACMA revitalized! Many thanks to Eli Broad and fam!!!
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Nick: "Hey I just saw Adrian Grenier walk by me just now."
Me: "Who's that?"
Jenn: "He's from Entourage!"
Nick: "Yeah. He has a full beard but I still recognized him."
Me: "Oh... Meh."
An hour later...
Me: " *gasp* It's Santino!"
Jenn: "Who's that?"
Me: "He was a finalist on Project Runway!"
Jenn: "Oh... Meh."
Me: "Eeeeeeek!"
Such was an example of different perspectives, even outside museum walls.
Like how I did that just now? ;p
I was able to RSVP to a fancy lil reception for the opening of LACMA's BCAM Born. I loved how we were welcomed at the entrance by the light installation by Chris Burden. H'ordeuvres, desserts and cocktails awaited after making our way through a breezy check-in. w00t!
I totally agree with reg that there's nothing too "cutting edge" going on within these walls but the collection is strong with a lot of famous pieces by well-known artists. Some of my favorites were by Tansey, Lichtenstein and Koonz. Hirst's Butterfly windows were pretty amazing and can only be appreciated in person. Cindy Sherman's room of giant photographs felt surreal.
Although as awesome as the collection may be as a whole, there were still some pieces that made me question its place for being there. But I guess that goes with every collection every where you go.
Don't get too excited about the humungous, glass elevator centered in the middle of the three-story building. It just goes up and down like all the rest. ;p
Take the escalator up to the third floor and work your way down. Just don't wear your Crocs or you might lose an appendage ( http://abcnews.go.com/... ) It's quite a ways up.
.
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As a member of LACMA...i'm already pretty into the art dealio...sooooo...was incredibly excited to FINALLY get to see BCAM.
LACMA put on this really fabulous event for it's members..."festive attire," hors d'oeuvres, and COCKTAILS...for free...along with entrance gained into the museum itself.
They had this huge white tent...an engineering feat I might add...with a beautiful set up inside. White leather sofas, glass tables, a quartet, two bars, and two rather impressive buffets containing the likes of Caesar Salad, Grilled Chicken, and soup in bread bowls. Now had I known that the food would be so snazzy, I would have foregone eating a large dinner beforehand. I was anticipating people walking around with trays of mushrooms!
The museum itself is quite cool...three floors on which to peruse well-and not so well-known artists. The bent steel was amazing on floor one...not so much because it was cool looking or anything like that, but more so just for the sheer feat it must've took to create such vast angles and smooth lines out of STEEL! AMAZING.
Also of particular interest was the stained glass crafted entirely of butterflies and the photographic installation in which every picture was a self-portrait of the artist with prosthetics and makeup to enhance. Great stuff...thought it was rather creepy at first until I learned that she was the SUBJECT in each photo. Crazy.
And who doesn't love a giant balloon animal? Or even a giant dining set under which you can walk and feel like a Lilliputian?
I couldn't figure out where new and rotating exhibits would go as everything seemed like it was going to be staying put...but who knows. Can't wait to see what they put in...
Parking is pretty easy...underneath and the entrance is off of 6th st. or you can park on Wilshire near Spaulding...
I recommend getting a LACMA card so you can have unlimited, cultural visits!!
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This new museum is an outstanding addition to LACMA.
The airy, postmodern space is naturally lit by a glass ceiling. This enhances the surface of the sculpture within. (namely an ample collection of famous work by Jeff Koons) Another room is dedicated to the photography of Cindy Sherman and yet another to the "mercenary" painting series of Leon Golub. You will also find earlier work by Rauschenberg, Basquiat, Baldessari and Warhol among others.
Damien Hirst's Butterfly collages, an installation by Mike Kelley and a walk through/within a Richard Serra sculpture round off a solid collection.
The building's layout, in relation to the grounds, works well. We loved seeing the giant toy-like train outside (Koons). Its red echoed the accents of the Museum and elevators. BTW, The elevator doors are transparent, making it a sought after ride.
One caveat: If you are looking for contemporary work on the cutting edge, you may be disappointed. But keep in mind that the featured artists were once considered highly controversial in the art-world. Although their bite has softened over the years, it's a pleasure to see so many "greats" in one place.
Overall, 5 stars for an outstanding space, a solid collection of contemporary masters... and the promise of more to come.
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Amazing!
What an experience. This is truly a beautiful building with an excellent collection.
This paired with the rest of the collections at LACMA really puts LA on the museum map.
Just go, just go check it out now.
(While we were there the mayor was receiving his tour of the place. It's March this place has been open for quite awhile. Come on Mr. Mayor!)
How can you think an Andy Warhol is tired?! He changed the face of art and lead the way for artists like Damien Hirst and many, many more. Mr. Broad's private collection on display here is immense and very special. The Jeff Koon's metal balloon animals are some of my favorites. The building is a nice size which to me allows the art to feel more accessible then say it does at the Met in NYC.
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BCAM is simply stunning and awe inspiring. I wish I could end the review here and tell you to see this for yourself, but brevity isn't my strong suit.
As we descended the 3 story installation of "Shafted" in a brightly lit glass elevator, I told my husband I was having a Willy Wonka moment. This is the "Wonka Chocolate Factory" of contemporary art. A little history: Eli Broad has collected contemporary art since the 70's, and his foundation in Santa Monica is this mythical treasure trove of modern art; arguably one of the most comprehensive collections in the world. Sadly, the foundation is not open to the public, and for years I lamented the fact that I was not able to sneak a peak at the foundation's work. The good thing is that they loan out much of the collection to other museums.
BCAM is the result of Broad's $60M contribution to LACMA to showcase a sliver of the collection. There are individual galleries displaying works by Jeff Koons, Basquiat, Damien Hirst, Ellsworth Keller, Warhol, Lichtenstein, and many others. You'll need multiple trips to really appreciate the depth of the collection. Many surprises around every corner.
I needed to refuel after artistic overload. During the member reception we enjoyed cocktails and listened to a jazz singer lithely sing:
"Come with me, and you'll be in a world of Pure Imagination..."
I smiled. I guess I wasn't the only one having a Willie Wonka moment...
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Jogged by here last night, intending only to check out the light installation off of Wilshire, but when I saw people walking in w/ no tickets, i thought... hmm.. let's check it out.
[Apparently, after 5pm, it's pay what you want.]
I didn't know that I liked contemporary art so much. :P
The pieces were huge, craaazy larger than life litterally (there's a humogo kitchen table with big chairs you can walk under). fun!
My favorite piece was the pinwheel, don't know who created it, but it was fun and mesmerizing. I would definitely go back. You should check it out!
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The best thing about the BCAM is not Damien Hirst's use of murdered butterflies/sheep as art, minimalist sentences-on-a-canvas by John Baldessari, or the copious references of Andy Warhol's paintings in society . . . but the massive, gates-of-heaven display of cast-iron lampposts by Chris Burden.
p.s. go at dusk for the lighting.
p.s.s. look for the swastikas outside.
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BCAM definitely has some really cool works of art.
My favorites were the giant-sized, bigger-than-life installations like Richard Serra's moebius walkthru "Sequence" the first floor, Richard Therrien's "Under The Table" where you literally go under the table, and Jeff Koons' "Balloon Dog" which very meticulously recreated an enormous balloon animal.
The room of Cindy Sherman's bizarro self-portrait photographs was creepy and engrossing at the same time. WEIRD, but oddly engaging.
I also liked Ellsworth Kelly's color fields. "Green Angle" especially. It's uplifting?
Lichtenstein's "Cold Shoulder" and "Live Ammo Blang!" are really cool.
As everybody's mentioned, Damien Hirst's Butterfly pieces are beautiful, if mildly disturbing. You really must see them in person.
They have a copy of Jasper John's "Flag," which I didn't get to see at MoMA in NYC. I don't think it's the original, but close enough.
I agree with Theo. The BEST piece? Not even IN the museum. Check out Chris Burden's "Urban Light," a collection of restored cast-iron lamp posts that you can see lit up right on Wilshire Boulevard. It's open to the public, and simply beautiful at night. Palm trees and LACMA buildings fill the visual background.
The only drawback was the multitude of WTF works. Too many, I felt. And it detracted from my experience. I'm sure there was a point to it all, since these are well-known artists. But while I can appreciate a lot of "wacky" art, as my friends put it, much went way, way over my head. Basketballs floating in water? Nonsensical narrative etched into marble benches and simultaneously flashing on a LED screen? What? *shrug*
Oh, and the BCAM building itself is pretty cool. After the escalator ride up, you have a magnificent view of Los Angeles. The space inside is airy, naturally lit, and very well suited for exhibitions of contemporary and modern art.
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It is impossible for me to walk onto the LACMA grounds without being transported in time, back to my childhood. Thanks to my parents, it feels as though I spent more time between LACMA and the museums in Exposition Park than I did in my own home growing up. At the time, my favorite part of the museum experience was the time spent at the tar pits among raunchy smelling tar and woolly mammoths. Somewhere along the way, I have acquired a more mature taste (not by much), and enjoy the permanent collection and find inspiration from it every time I visit. I truly cannot believe that a new addition such as BCAM, has happened in my lifetime but I am very grateful it has. LACMA has always held a very special place in my heart so any changes made to the original campus is going to be a touchy subject for me. Luckily, Renzo Piano (a favorite of mine, also the man who also designed my favorite Alessi watch) was commissioned by LACMA/Broad family to design the building, so my mind and heart was at ease. Fast forward almost three years later and I am being given a private tour of the BCAM building and loving every minute of it and asking myself, 'How did I get here? and 'Does this mean I have arrived' I don't know, but I'm sure as hell happy I'm here.
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It's hard for me not to give 5 stars for any museum/venue/etc that offers free yummy food and an open bar, like BCAM did as part of their opening reception for LACMA Muse members. Thanks to Caroline K for letting me be her +1 :)
The museum itself has an impressive assortment of prominent contemparary artists. first floor is all richard serra. make sure you walk through it and touch and feel and listen to get the full experience. they've also got the roy lichtenstein and jeff koonz sculptures on the 2nd and 3rd floors which are all pretty neato. too bad they didn't let me take more photos of the place... though the space itself isnt huge, it's def a good intro to contemporary art. when you step outside on the 3rd floor, you get a lovely view of los angeles that you CAN take pix of...
all the elevators and architectural structures are red beams and glass panels which is really airy and futuristic
I was so excited to see this new facility, however, I was definitely disappointed in the Renzo Piano design. It's too bad Eli and LA county were too cheap to pony up the $ for Rem Koolhaas' redesign of the LACMA. Anyways, the interior layout of the building was easy to navigate and the lighting was natural and very good.
I must say that Eli Broad's collection of contemporary art is quite good. I'm not a fan of Hirst's stuff, but I was impressed by the Basquiat collection. Obviously, this museum doesn't even come close to the New York MOMA, but I think LA's art scene is improving.
Went to the press launch of BCAM and got pulled into the hype after listening to all the jibber jabber of who, what, when, why. Learned who Renzo Piano was...apparently he's a pretty big deal~
They named the escalator...which i thought was endearing. It really does go up quite high. I didn't think much of it when they were describing the height of it, that is, until i looked down while I was a couple of feet away from the top. From the top of the escalator, is probably one of the best views/photo op of the city and the Hollywood sign.
Inside BCAM there are rooms that scare, awe, confuse...make you think, wonder, laugh...such an array of emotions and thoughts to experience make this museum worth seeing.
I appreciate it because it really does highlight LA and elevate the city's profile internationally.
But the best part of the press launch for me, personally, was the lunch. It was catered by Joachim Splichal...literally...he stood there at the buffet line to greet and plate. Now that's an experience worth talking about :)
Building: Yawn
Art: Yawn (Haven't we seen all this stuff before?)
Reasons to go:
1. The Big Red Elevator
2. Richard Serra torqued ellipses on the ground floor
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My NTDLA partner Jamie is a member so we checked out the museum this afternoon. Its pretty cool, the building design is very nice with the cool accent of red, high ceilings and a super elevator in the center that looks like it can carry horses.
The Art? Well, I don't really get contemporary art, I mean, if somebody told me that I could put three basketballs in a bucket of water and call that art and then sell it for a bunch of money, I would say that's crazy!!!! Low and behold, somebody did.
All in all, it was a fun experience. Definitely worth checking out if you have time.
Pics: http://www.flickr.com/...
Unlike some other reviews here, since modern art isn't my favorite, and that's the focus of the first exhibit (Eli Broad's personal collection scheduled to run through September). I'd prefer to focus on the overall experience.
The museum is set up in a very unique manner in that you take an escaltor up along side the glass building to the third floor where the tour begins and you walk your way down to the exit on the first floor. As a matter of fact the escalator up, the Jeff Koon's exhibits of over-sized balloon creatures and other pieces reflecting his taste on pop art, would probably be very amusing and entertaining to most children. Of course, it's always fun to see very recognizable works such as those by Worhol, Rauschenberg, Basquat and Ed Ruscha (among others). All are so accessible by kids.
We walked the stairs down to the third floor before noticing the glass wall we had walked by several times was actually and elevator--a VERY large won that looks like it moves almost floors of people at once. It was super cool feature that I knew kids would absolutely love too.
Ok, well, on the second or third floor, there was one large picture of a woman sitting on the floor examining herself closely with a handheld mirror that might be worth whisking the kids by...but really that's about it (I'm pretty sure, but I suppose it might always be good to send one guardian to check out each area first--I vaguely remember a phalus too --but it maybe only seemed like an exhibit that would have one--a big one--just like everything else that was over-sized).
The kids might like the Cindy Sherman room and photos when you explain to them that the artist is the model in all of the photos. That's really gimmicky, but would've been impressed me if I were 4 through 10.
I was impressed by few a huge, arched stained glass window-looking pieces that were made all of butterfly wings organized in the patterns/colors. You can imagine the opalescent blues, greens, yellows and slivers. They were really beautiful, but I don't even want to think about where they got all those butterflies. A friend told me the artist really doesn't do the majority of the work on any of his projects. He plans them out and has interns/assistants handle all the production which sort of rubbed me the wrong way, but I suppose that may be common, I don't really know. He had several pieces that aren't so animal-lover friendly and my friend told me I was lucky that this time the dead sheep floating in a resin box wasn't accompanied by maggots like the last time she saw an exhibit by him. I get turned off by the intentional shock value of some modern art. See, this what happens when I talk about the art. Anyway, on the second floor there is a really fun over-sized table and chairs you can walk under that makes you feel like you're in Alice and Wonderland and, again, made me wish had a kid with me. On the first floor there were numerous circular, lightly-rusted huge (that's a very understated word for their size) steel sculptures that allow you to walk around and through them in a sort of maze-like way.
Outside, more stuff for the kiddies like a very cute bigger-than-life toy truck and a massive display of mismatched streetlights in front that were really fun when then lit up in the evening. Some good picture taking opportunities there.
Seeing this opening exhibit begs the question where in the world does Eli Broad store all of this work? (knowing it's only a slice of the art he owns and could take up a warehouse or airplane hanger itself).
Overall, a very interesting visit begging for children accompaniments. Nice to have another good museum in L.A.
Thanks Target, for the free tickets.
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